Make Them Pay (Pretty Deadly Things #6) Read Online Logan Chance

Categories Genre: Alpha Male, Contemporary, Crime, Dark Tags Authors: Series: Pretty Deadly Things Series by Logan Chance
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Total pages in book: 69
Estimated words: 64044 (not accurate)
Estimated Reading Time in minutes: 320(@200wpm)___ 256(@250wpm)___ 213(@300wpm)
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Gage pushes off the doorframe. "I didn't lose a bet. I lost an argument, which is different."

"You argued that Enley wouldn't join for at least six months. She joined in three. That's a bet you lost."

"That's a prediction that was optimistically wrong. There's a difference."

"The difference is you owe her a flat white."

I sit down at the workstation. Dual monitors. Custom encryption suite. A chair that swivels and a desk that's solid and a view of a room full of people who started in a printing shop and built something that saves lives and are now, apparently, willing to let the sister with the stolen fries and the self-taught code sit beside them and do the work.

Render stands behind me. He doesn't say a word. He doesn't need to. After everything we've survived, the simple fact he's here is enough..

I open the laptop. The ghost layer loads. The screens fill with data.

I start working.

Epilogue

RENDER

One year later.

The loft is louder than it used to be.

This is Arrow's fault. He installed a speaker system six months ago that connects to every device in the building simultaneously, which means that whoever arrives first gets to choose the music, which means that on mornings when Gage beats Arrow to the loft, the entire operations center fills with the kind of aggressively cheerful pop music that Arrow considers a war crime and Gage considers motivation.

Who knew a man like Gage would value the soundtrack to K-Pop Demon Hunters?

This morning, Gage won. The loft vibrates with a bass line that Knight has been ignoring for forty-five minutes with the particular discipline of a man who’s survived worse sonic environments than his friend's playlist.

I'm at my workstation in the corner. The same corner I've occupied for years. The difference is that the corner isn't an outpost anymore. It isn't the observation point of a man who keeps the room at arm's length because proximity is a structural risk. It's just where I work. The corner has good light, a clear sightline to the door, and enough space for two chairs, which matters because the second chair is occupied.

Enley’s beside me, running a pattern analysis on a trafficking network that Arrow flagged three days ago. Her screens show the same kind of metadata visualization she built in the cabin: clusters of communication, anomalous patterns, the shapes that emerge when you look at a data set long enough to see what's hiding in the noise.

She's better at this than I am. I've accepted this with the specific grace of a person who spent years being the best digital operator in the room and has been replaced by someone who sees connections he misses and solves problems he can't. She doesn't gloat. She doesn't need to. The work speaks for itself, and the work has been speaking at a volume that’s made Arrow refer to her as "the upgrade" at least three times this month.

"The cluster in the third quadrant," she says without looking up. "It's not random noise. It's a dead-drop protocol. Someone inside the network is communicating with an external handler."

"Same pattern as the Orchid channel?"

"Similar. But the timing signature is different. This one uses a lunar calendar offset instead of a fixed interval."

"A lunar calendar."

"Tidal patterns. The communications happen during specific tidal windows when the coastal monitoring stations have reduced coverage. Whoever designed this protocol knows the surveillance infrastructure and built their communication schedule around its gaps."

She's already building the intercept. Her fingers move on the keyboard with the speed and confidence of a person who’s been doing this professionally for ten months and learned the foundations in a cabin in the pines during the worst week of her life. The rotation fix she designed on day three is now standard across the crew's entire digital infrastructure. Arrow integrated it within a month of her joining. He called it "the Cameron Protocol" and she told him to stop and he didn't and now it's in the documentation and she's stopped objecting because the objection wasn't going to survive Arrow's stubbornness.

Poe’s at the briefing table reviewing case files with Dean and Orchid. His face has healed completely. The scars are there if you know where to look: the thin line along the hairline, a slight asymmetry around the left eye where the swelling did its deepest work. He doesn't talk about the facility. Not in the loft, not in debriefs, not in the conversations he has with Enley that I'm not part of and don't need to be. He talks about the work. The cases. The targets. The specific, methodical process of identifying people who hurt other people and building the evidence to stop them.

He and Enley have found a new equilibrium. Not the old one, where he was the protector and she was the protected. Something more level. They work cases together now, his tactical mind complementing her pattern recognition, the Cameron siblings operating as a unit that Dean has started assigning to the crew's most complex investigations. They argue. Frequently. About methodology, about risk assessment, about whether the coffee in the loft is adequate or whether Arrow's barista ambitions have exceeded his barista abilities. The arguing is healthy. It sounds like two people who respect each other enough to disagree and trust each other enough to know the disagreement won't damage the foundation.


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